My work
As a curator and researcher, I explore issues of East-Central European identity and representation in post-Brexit Britain. My practice looks at the systemic and cultural frameworks of CEE-related art production, curation, and facilitation. It often includes interrogation of politics of gender, class, queerness, national stereotypes, and underrepresentation of CEE artists in the UK and globally.
My approach towards working with artists, fellow curators, and institutions is based on mutual respect, empathy, and care. My practice is transnational, queer and feminist.
My Ph.D. study at the University of the Arts London is an integral part of my practice. My project looks at the history of exhibitions of East-Central European women artists in Britain after 1989.
I am also working as an Artist Development Coordinator at BACKLIT Gallery in Nottingham. As part of my role, I implement development strategies for BACKLIT’s studio and associate artists.
As a curator and researcher, I explore issues of East-Central European identity and representation in post-Brexit Britain. My practice looks at the systemic and cultural frameworks of CEE-related art production, curation, and facilitation. It often includes interrogation of politics of gender, class, queerness, national stereotypes, and underrepresentation of CEE artists in the UK and globally.
My approach towards working with artists, fellow curators, and institutions is based on mutual respect, empathy, and care. My practice is transnational, queer and feminist.
My Ph.D. study at the University of the Arts London is an integral part of my practice. My project looks at the history of exhibitions of East-Central European women artists in Britain after 1989.
I am also working as an Artist Development Coordinator at BACKLIT Gallery in Nottingham. As part of my role, I implement development strategies for BACKLIT’s studio and associate artists.